Software » Video Editors » Adobe Premiere Pro 27.0

November 2026 (version 27.0)
Feature updates
Move from edit to color without breaking your flow. Color Mode is a new color grading workspace in Premiere, built for editors and right next to your edit.
Get AI help with complex or repetitive tasks using the new AI Assistant panel, which understands your Premiere project and helps you complete them.
Generate images from text prompts directly on the Premiere timeline using Generate Image in the Generative Media Tool.
Sync generated sound effects to your video with the new Sync to Video button in the Generate Sound Effects panel, part of the Generative Media Tool.
Create original, royalty-free music from a text prompt, right on the Premiere timeline, with Generate Music.
Analyze your video and create matching ambiance and sound-effect layers on the timeline using Generate Soundscape.
Get improved controls and an updated experience when using Enhance Audio to improve the clarity and quality of dialogue.
Automatically detect and separate two overlapping speakers recorded on a single mixed audio track into individually routable timeline stems with Separate Crosstalk, powered by the Adobe Firefly audio service.
Keep audio mixes balanced as you edit. Auto Ducking now updates keyframes automatically as you add, trim, or mute clips, so there’s no need to select Generate Keyframes after every edit.
Find and preview the right effect faster. The Effects panel now has thumbnail images and preview videos for all the video effects and transitions, and improved search. Preview from source lets you see how a video effect will look on your footage.
AI/ML features such as Enhance Audio, Enhance Speech, Scene Edit Detection, and Auto Reframe now run faster on Windows computers with NVIDIA RTX GPUs.
Create more looks with eight new effects, including Bevel Alpha, Bevel & Emboss, Posterize, Radial Blur, and Zoom Blur, for enhanced compositing, texture, and motion design.
Adjust effects faster. Video effects, audio effects, and masks now appear as easy-to-read cards in the Properties panel, a simpler alternative to the Effect Controls panel.
Target colors precisely with HSL Masking, which isolates colors by hue, saturation, and luminance and works alongside other masks, so adjustments affect only the area you choose. It works well in Color mode.
Create cleaner, more reliable Object Masks with improved tracking, smaller file sizes, and easier mask file management and recovery.
Create the extra frames your transitions need. When a transition needs more frames than a clip has, Generative Extend can now create the missing frames for you.
See audio waveforms drawn on the timeline in real time while you record with the Audio Track Mixer or Voice-Over.
Show iXML metadata on audio clips in the timeline and in the Source Monitor.
Adjust clip speed and duration with a redesigned dialog featuring multiple audio stretching modes, high-quality processing, and pitch controls to preserve natural-sounding audio, without the need to round-trip to Audition.
Get native support for Windows on ARM (ARM64) on PCs powered by the NVIDIA RTX Spark (N1X) chip. It also uses NVIDIA’s TensorRT, which accelerates on-device AI features such as Object Mask, Enhance Speech, and Scene Edit Detection.
Turn off Live Ripple Edit with a new Timeline preference, so ripple trims update only after you release the mouse.
Support for Sony FX5 X-OCN formats, including LT, C1, and C2.
Premiere now requires a minimum amount of GPU memory. Computers that don't meet it can no longer launch Premiere, and a System Compatibility Report explains why.
Object Masking, Scene Edit Detection, Auto Reframe, and Enhance Audio now use NVIDIA RTX acceleration on Windows on ARM.
NVIDIA hardware decoding is now supported for H.264 and HEVC files in MXF on Windows on ARM.
Support for raw video formats on Windows on ARM has been updated. The following formats are supported, including hardware acceleration: ARRI ARRIRAW and ARRICORE, Canon Cinema RAW Light, RED R3D and R3D NE, and Nikon N-RAW.
ARRIRAW and ARRICORE footage from the ARRI ALEXA 35 Xtreme is now supported natively on Windows on ARM.
Support for importing Sony RAW and Sony 16-bit linear F65 RAW footage has been removed.
Fixed issues
Text-Based Editing, Captions, and Text

Pressing Spacebar to start playback while the Text panel had focus could move focus to the Timeline, preventing words in the Transcript tab from being navigated or edited with the arrow and Return keys.
Exporting captions with multiple text blocks as CSV or TXT could omit the text of additional blocks and produce incorrect column headers.
Projects with large amounts of transcript data could take a long time to open.
When importing .stl captions, "$" could display incorrectly.
Some multi-line captions could lose their final line when exported to EBU STL format.
Captions could be mispositioned in exported EBU STL files, with extra line spacing added to two-line captions.
The PingFang TrueType font did not render on macOS.
Some ornament and color fonts did not display a sample in the font popup.
Search Similar Frames did not work on timeline clips loaded into the Source Monitor by double-clicking.
Productions and Collaboration

For Productions stored on network-attached storage, projects could fail to save on the first attempt when multiple collaborators were working in the Production at the same time.
For Productions stored on network-attached storage, moving or renaming projects in the Production panel was inconsistent when multiple collaborators were working in the Production at the same time.
Scanning the projects in a Production could be slow immediately after opening the Production.
A project deleted in the Production panel could still be opened from the trash folder with the keyboard shortcut Cmd/Ctrl + O.
The Production panel could become unresponsive while updating file metadata after files were moved.
Changing the collaboration user name preference while a project in a Production was open caused a save error.
The Project panel did not always open when a project was opened directly from within a Production.
Production Settings was selectable for regular projects outside of a Production when the Production panel was selected.
Choosing Production from the Window menu could minimize Premiere instead of opening the Production panel.
Premiere could crash in Team Projects when several audio submix tracks were created and the project was reloaded.
Improved the wording of the message shown when a project in a Production is locked for editing.
Generative Media Tool

The live sampling preview in the Generative Media tool did not display correctly.
Reference images added from Your device in the Generative Media tool were not imported into the Image References bin on generation.
When a different reference frame was chosen in the Generative Media tool, the new frame was not used and the previous frame was used instead.
When hovering over a reference frame thumbnail in the Generative Media tool, the preview was blank.
Reference frame data was not populated for Generative History web assets.
The Generative Media tool could draw in the wrong location on Windows.
The Generative Media tool did not always dismiss correctly when generating sound effects.
Generative media placeholders could remain in a sequence when a generation was canceled because of insufficient credits.
After creating a video-only clip with the Generative Media tool, enabling audio and regenerating could cause issues.
The model selection menu in the Generative Media tool could remain open and block other apps when Premiere was not the frontmost application.
The file name of a recorded audio guide on a generated sound effect clip was not displayed when hovering over the waveform in the Generative Media tool.
A Generative Media tool range selection could be made on unsupported track types, such as 5.1 tracks.
Project Manager > Collect Files and Copy to New Location did not copy files for clips extended with Generative Extend from the Adobe Premiere Captured and Generated folder.
On some Macs, the user icon in the header bar could disappear after exiting full-screen mode, preventing access to Generative AI token balance information.
Improved warnings in the Generative Media tool.
Improved how range selection in the Generative Media tool interacts with clips when using Extract edit.
Effects, Masks, and Playback Resolution

Scaled media could appear stretched, squished, or incorrectly positioned when previewing or exporting at reduced playback resolution.
With Playback Resolution set below Full, masked effects applied to scaled clips could render improperly during playback or skimming.
Values adjusted in the Effect Controls panel with the Up and Down arrow keys were not retained.
Moving selected mask control points with Shift was constrained to 90 degrees instead of 45 degrees.
Direct Manipulation controls appeared in the Program Monitor only when guides were enabled.
Double-clicking a video and audio clip in the Program Monitor selected only the video in the Timeline.
When a Lumetri preset thumbnail was dragged from the Effects panel onto the same clip repeatedly, Premiere could fail.
A custom bin created inside the Presets bin in the Effects panel could not be deleted.
Trimming the end of a rendered clip with a Film Impact effect applied unlinked the rendered preview.
A duplicate line was drawn between content views in the Timeline, such as between captions and video, making the divider look thicker than intended.
The Video Scopes panel could display incorrect scopes after media or the project was closed.
Changing the Media Replacement timecode display format of a Motion Graphics template in the Properties panel changed the sequence timecode display format and did not update the embedded sequence.
Metadata from input media could be lost on export when the media replaced a placehold...