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The free DaVinci Resolve is a full professional editing and color grading system that is suitable for independent users working on SD, HD and Ultra HD projects. DaVinci Resolve 15 is the world’s first solution that combines professional offline and online editing, color correction, audio post production and now visual effects all in one software tool! You get unlimited creative flexibility because DaVinci Resolve 15 makes it easy for individual artists to explore different toolsets. Full Studio Edition costs $300.

Freeware Trialware
OS: Win Mac Linux
File size: 1330MB
Beta version
Other versions
Version history
6.6/10
31 votes
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Screenshots

DaVinci Resolve screenshot

DaVinci Resolve screenshot 2

DaVinci Resolve screenshot 3
Latest version

16.2.7 / 17.0 Beta 7 (January 20, 2021)



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Download DaVinci Resolve 16.2.7 Windows  1330MB  Win

Download DaVinci Resolve 16.2.7 Mac  Mac

Download DaVinci Resolve 16.2.7 Linux  Linux




Download Beta and other versions

Download DaVinci Resolve 17.0 Beta 7 Windows  Win

Download DaVinci Resolve 17.0 Beta 7 Mac  Mac

Download DaVinci Resolve 17.0 Beta 7 Linux  Linux



Software License

Freeware/Trialware (Free download but some features are limited to pro/premium version )



Supported operating systems

WinWindows MacMac OS LinuxLinux



More information and other downloads




Version history / Release notes / Changelog


DaVinci Resolve 17.0 Beta 7

About DaVinci Resolve 17.0
The free DaVinci Resolve 17 includes all of the same high quality processing as DaVinci Resolve 17 Studio and can handle unlimited resolution media files. However it does limit project mastering and output to Ultra HD resolutions or lower. DaVinci Resolve 17 only supports a single processing GPU on Windows and Linux and 2 GPUs on the latest Mac Pro.

If you need features such as support for multiple GPUs, 4K output, motion blur effects, temporal and spatial noise reduction, de-interlacing, HDR tools, camera tracker, multiple Resolve FX, 3D stereoscopic tools, remote rendering, an external database server and collaboration tools that let multiple users work on the same project at the same time, please upgrade to DaVinci Resolve 17 Studio.

We hope you do decide to upgrade as your facility grows and you do more advanced work!

Important information regarding database management
DaVinci Resolve 17.0 requires a database upgrade from DaVinci Resolve 16.2.7 and previous versions. We strongly recommend that you back up your existing database (both DiskDB and PostgreSQL) before performing an upgrade.

What's new in DaVinci Resolve 17.0
Color
DaVinci Resolve Advanced Panel keycaps kit and new optimized menus.
RCM2 with improved color tagging and smooth tone and gamut mapping.
HDR perceptually accurate primary grading tools with tonal range control.
Color warper to qualify and change hue vs saturation and luma vs chroma.
Magic mask using the DaVinci neural engine generates tracking masks.
Redesigned primary interface to show all controls concurrently.
Grading tools are colorspace aware in color managed timelines.
Support for user selectable colorspace and gamma for HDR grading tools.
Support for timeline clips to bypass color management.
Support for sat vs lum mode in the curve tool.
Support for generating a 17-point cube 3D LUT.
Support for LUTs designed for video range.
Support for saving smart filters to be shown in all projects.
Support for smart filters for marker keywords added to timeline clips.
Support for diagonal, venetian blinds and checkerboard reference wipes.
Support to set input colorspace, gamma and IDT on preconform timelines.
Support for a pop-out floating window for the curves panel.
Support for fast review from the playback menu on the color page.
Support for a 3x3 grid view and multiple GPU scopes of the same type.
Support for a floating video scopes window in dual screen layouts.
Improved scaling and style options for waveforms and vectorscopes.
Support for loading IDTs and ODTs as a DCTL file or ACES RRT.
Support for defining LUTs inside a DCTL file.
Support for multiple simultaneous client connections in remote grading.
Support for advanced and mini panels networking for remote grading.
Support for a split screen playhead viewing mode.
Support for improved split screen layouts.
Support for converting in-out ranges to duration markers.
Improved behavior when drawing bezier power windows using a mouse.
Option to use a Rec.2020 matrix for 4:2:2 video monitoring.
Resolve FX
Resolve FX Smear frame blending for motion blur and other effects.
Resolve FX Motion Trails temporal motion blur, object trails, disco effects.
Resolve FX Transform clip moving, stretching and rotation with motion blur.
Resolve FX False Color overlays replicating camera HUDs and other looks.
Resolve FX Texture Pop for fine image detail and contrast control.
Resolve FX Detail Recovery for detail and grain recovery.
Resolve FX Noise Reduction native noise reduction tools as Resolve FX.
Resolve FX Video Collage to quickly position a stack of clips into a grid.
Resolve FX Luma, HSL and 3D native keying tools as Resolve FX.
Improved Resolve FX Film Grain with new optimized mode.
Improved Resolve FX Dead Pixel Fixer with freehand fill, softness etc.
Improved Resolve FX Dust Buster with shape drawing, clone fixes etc.
Improved Resolve FX Object Removal for scene mode, adaptive blending.
Improved Resolve FX Blur defaults for directional, radial and zoom blurs.
Improved Resolve FX Tilt Shift with alpha channel support for depth masks.
Audio
Support for the Fairlight Mini Console.
Fairlight Audio Core to natively CPU process up to 2000 audio tracks.
FlexBus routing system to permit bus to bus routing and mixing.
ADM import, playback and export of Dolby Atmos IMF IAB masters.
Fairlight FX Surround Analyzer meters.
Full implementation of the 9.1.6 and 22.2 surround sound bus formats.
Native support for 44.1 KHz sample rate audio clips and instruments.
Analyzing and navigating to audio transients in a track.
Offline clip-based audio loudness analyzer.
Selection of absolute or relative scales and loudness meter dialog gating.
Pro Tools keyboard customization preset.
Full range of video controls in the new unified and tabbed inspector.
Updated editing, range and selection behavior in edit selection mode.
Support for importing AES31 audio timelines.
Support for pre-viewing video when sliding clips, markers and ranges.
Support for reversing audio clips.
Support for flattening audio track layers.
Support to have automation following clip edit changes.
Support for saving, recalling, creating timelines via configuration presets.
Support for editing linked clips.
Support for marquee selection of multiple mixer tracks.
Support for changing the track type of multiple selected tracks.
Support to directly edit in the mixer track and VCA group names.
Support for deleting multiple empty tracks from the track header.
Support for deleting marked extents on selected tracks.
Support for per-timeline views, selections, range and playhead location.
Support for changing clip gain using shortcuts.
Improved clip gain with change tooltips and fine control using shift.
Support for bouncing linked groups to a multi channel file.
Support for track record, mute, solo, arm control in the application menu.
Support for viewer to be off, floating, docked or full screen.
Support for toggling interface between normal and cinema viewer mode.
Support for monitoring volume dB level tooltip.
Support for selecting multiple monitor sources from Fairlight audio editors.
Support for pre & post roll control from the Fairlight audio editors.
Support for selection of Fairlight Audio Interface phantom power, gain etc.
Improved waveform display when zooming into a clip waveform.
Improved metering displays for timelines with lots of audio tracks.
Improved keyboard mappings for edit selection mode.
Improved MPEG-H workflow and export support.
Cut
Support for the DaVinci Resolve Speed Editor.
Full featured unified inspector with tabs and keyframe control.
File tab in the inspector with camera raw settings and clip metadata.
Media pool clip properties can now be viewed and edited in the inspector.
Media pool slate and sort view with grouping based on clip metadata.
Audio trim on the viewer and timeline.
Live scrubbing previews for effects library transitions, titles and effects.
Support for a new relink icon and dialog in the cut page.
Support quickly switching source tape bins from the media pool.
Support for showing the media pool in a flattened view.
Playhead indicators for distance to adjacent edits when using sync bins.
Support for a change duration dialog with presets in the cut page.
Support for entering the clip duration in the viewer duration field.
Support for navigating edit points and markers in the cut page.
Support for a thumbnail view in the effects library.
Support for a full screen preview icon on the viewer.
Support for selecting safe area guides and aspect ratios on the cut page.
Support for a cinema viewer with sync bin multi-views.
Support for switching timelines in the viewer.
Support for importing frame sequences as individual still images.
Improved markers entry using the DaVinci Resolve Editor keyboard.
Edit
Full featured unified inspector with tabs and keyframe control.
File tab in the inspector with camera raw settings and clip metadata.
Media pool clip properties can now be viewed and edited in the inspector.
Significantly improved DaVinci neural engine deinterlacing quality option.
Significantly improved processing of interlaced timelines and deliveries.
Real time removal of 3:2 pull down.
Scene cut detection directly on the timeline using DaVinci neural engine.
Automatically framing shots based on content using DaVinci neural engine.
Quick and clean chroma keying with Resolve FX Luma, HSL and 3D Keyer.
Resolve FX Video Collage for multiple source picture in picture grid.
Burn away transition with options to control burning, melting and shriveling.
Sync of multiple audio clips to a single video clip.
Aligning edits on the timeline using waveform or timecode matching.
Importing BorisFX Continuum plugins, transitions etc. from AAFs.
Live scrubbing previews for effects library transitions, titles and effects.
Media pool slate and sort view with grouping based on clip metadata.
Deleting gaps based on clip selection, ranges or the whole timeline.
Support for rendering sections of the timeline in place with effects baked in.
Support for motion blur controls for motion based video transitions.
Support for dragging effects directly into the inspector.
Support for conversion of basic transitions into Fusion transitions.
Support for timeline compositing using Resolve FX & OpenFX alpha.
Support to retain image position in the crop section of the inspector.
Support to navigate the timeline with arrow keys without affecting selection.
Support to change clip selection using arrow keys and command modifier.
Support for a thumbnail view in the effects library.
Support for sorting timelines alphabetically, creation date or recent use.
Support for disabling timelines within the media pool.
Improved timecode entry with multiple modes and dedicated action.
Support for copy paste...

View full changelog




All features


DaVinci Resolve 15 is the world’s first solution that combines professional offline and online editing, color correction, audio post production and now visual effects all in one software tool! You get unlimited creative flexibility because DaVinci Resolve 15 makes it easy for individual artists to explore different toolsets. It also lets you collaborate and bring people with different creative talents together. With a single click, you can instantly move between editing, color, effects, and audio. Plus, you never have to export or translate files between separate software tools because, with DaVinci Resolve 15, everything is in the same software application! DaVinci Resolve 15 is the only post production software designed for true collaboration. Multiple editors, assistants, colorists, VFX artists and sound designers can all work on the same project at the same time! Whether you’re an individual artist, or part of a larger collaborative team, it’s easy to see why DaVinci Resolve 15 is the standard for high end post production and is used for finishing more Hollywood feature films, episodic television programing and TV commercials than any other software.


DaVinci Resolve combines professional non-linear video editing with the world’s most advanced color corrector so now you can edit, color correct, finish and deliver all from one system! DaVinci Resolve is completely scalable and resolution independent so it can be used on set, in a small studio or integrated into the largest Hollywood production pipeline! From creative editing and multi camera television production to high end finishing and color correction, only DaVinci Resolve features the creative tools, compatibility, speed and legendary image quality you need to manage your entire workflow, which is why it is the number one solution used on Hollywood feature films.


The world’s most advanced color grading tools.
DaVinci color correctors have been the standard in post production since 1984. There are thousands of colorists worldwide who understand the performance, quality and workflow of DaVinci. DaVinci Resolve features unlimited grading with the creative tools colorists need and incredible multi GPU real time performance. That’s why DaVinci is the name behind more feature films, commercials, television productions, documentaries and music videos than any other grading system!


Professional editing from rough cut to finished edit!
DaVinci Resolve 12.5 includes sophisticated professional editing tools designed to handle a wide range of projects from scripted prime time dramas to fast paced stylized commercials and even multi camera productions. Editing tools are context sensitive, which means that DaVinci Resolve automatically knows how you want to trim based on the position of the mouse so you don’t have to waste time switching tools! You also get customizable keyboard shortcuts so you can edit quickly and move between applications with ease. Now with virtually every imaginable editing and trimming tool available, it’s easier than ever for editors to switch to DaVinci Resolve!


Scalable power and real time performance.
DaVinci Resolve is scalable and supports multiple GPUs all working together as found in the new MacPro, as well as the latest Windows and Linux computers. You get support for up to 8 GPUs so that you can build dedicated systems that are super fast and deliver blazing real time performance. You can even offload output and rendering tasks to other Resolve systems on your network using the remote rendering tools. That’s important when you are working on high pressure projects that you need to deliver fast! Whether you are working in your own post production suite or grading the next Hollywood blockbuster, workstations running DaVinci Resolve can be super charged to keep up with you and your clients!




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Adobe Premiere Pro







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DaVinci Resolve Studio




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31 reviews, Showing 1 to 5 reviews


I can't understand the negative comment, It works great for me! True I am NOT a beginner, in fact as a retired electronics engineer I have been around Video Editors since they we nothing more than 2 beta cam players and a beta cam recorder doing cut edits with 5 second pre-roll just to get the tapes in sync. Since I retired about 15 years ago I have continued to use NLE's as a hobby and am familiar with most common versions, except Adobe's PP, I just never liked it but that's just my personal taste. So far, and I've been using DaVinci Resolve since Ver.14, I find it amazing.

It can be intimidating for a beginner and there are so many hidden features that I am sure even experts get confused sometimes. I have had a few crashes, but upon investigation it is usually related to hardware rather than the software itself. One common issue is using an external SSD as the scratch disk, if it does not respond instantaneously it can cause a crash.

I currently use a 2017 iMac 3.4 GHz i5 with a 1TB Fusion drive and 48Gb RAM which (apart from the RAM) is nothing special. I edit mostly 4K footage and downsample to 1080p for output. If I include and still images in a project then I may have LR and PS open as well and I still enjoy smooth playback.

As to Value for Money... well, if you don't need the additional effects and codec's of the Studio version you can't get much cheaper than FREE!


Review by L McCutcheon on Jun 13, 2020 Version: 16.2.2 OS: MacOSX Ease of use: 7/10 Functionality: 10/10 Value for money: 10/10 Overall: 10/10




Davinci Resolve Tutorial de

https://gwegner.de/


Review by k.meiers@outlook.de on Apr 23, 2020 Version: DaVinci Resolve 16.2.1 OS: Windows 10 64-bit Ease of use: 7/10 Functionality: 7/10 Value for money: 7/10 Overall: 7/10




I have no idea why it's getting so much hate on here vs everywhere else online. I can't tell if they're uneducated or trolls

DR16 has been so smooth vs Premiere Pro. I've completed documentaries, youtube videos and music videos without any issues. It's NLE abilities are great now, and I'm able to edit way faster in this vs everything else I've tried (Hitfilm, FCPX and PP - which l still own/pay for monthly but don't use since going all in on DR)

The fact that they update so often, is remarkable (heck even yesterday they just dropped ANOTHER update). Sure there is bug reports, every piece of software has them, and there's also the fact that a lot of people don't update their graphic drivers, or even provide good logs. I've personally had a 95% flawless experience with all the tools inside the app, although I'm still not a huge fan of Fusion vs After Effects.

I bought the studio version, because I truly see the value in BlackMagic. The free version is fantastic too, but I don't pick software based on price, I pick it based on features, updates, stability, ease of use and the team behind it - all of which are top notch from Black Magic.

As for people saying the support is bad. That's incorrect. I had a bug which alerted the team, who reached out to be personally by email and then released a fix. I've also had amazing and detailed responses from their email team too, way more detailed and helpful vs other NLEs.

I was a Premiere pro user for several years. I didn't move without a lot of thoughts, no one wants to switch for the sake of it. I did however make the best decision in the end by switching to DR.


Review by Dean Phillips on Apr 22, 2020 Version: 16.2.1 OS: MacOSX Ease of use: 10/10 Functionality: 10/10 Value for money: 10/10 Overall: 10/10




Rating by sdasdcasdca on Apr 13, 2020 Version: 2.513 OS: Windows 7 Ease of use: 1/10 Functionality: 1/10 Value for money: 1/10 Overall: 1/10




Rating by emnicoo on Apr 12, 2020 Version: 16.2 OS: Windows 10 64-bit Ease of use: 8/10 Functionality: 8/10 Value for money: 10/10 Overall: 10/10


31 reviews, Showing 1 to 5 reviews

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