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Adobe Premiere Pro |
Adobe Premiere Pro software is a nonlinear video editing application. Powerful real-time video and audio editing tools give you precise control over virtually every aspect of your production. Built for the exceptional performance of Windows XP systems.
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Trialware ($800)  Win  Released: Size:1400MB |
8.0/10
15 votes Guides Similar tools |
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Latest version: CS6 (May 07, 2012) Download sites: Visit developer's site More download options: Download update Supported operating systems: Windows
More information and other downloads: Download Premiere Pro Batch Export here or mirror here, its purpose is to provide batch export functionality for Adobe Premiere Pro versions 1.5, 2.0, and 3.0 (CS3). Sections/Browse similar tools: Video Editors (Advanced/NLE) |
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User options: Email me when it has been updated Report this tool (dead link/new version) Version history:
Adobe Premiere Pro CS6 Hide changelog Work natively with the latest mobile, DSLR, HD, and RAW formats; edit, trim, and adjust effects in real time; stabilize shaky footage; and enjoy a sleek, revamped user interface and expanded multicam support. Over 50 enhancements make switching to Adobe® Premiere® Pro CS6 software easy. Streamlined, highly intuitive user interface See more of your video and less clutter thanks to a highly intuitive, customizable interface. New monitor panels include a customizable button bar; the new Project panel focuses squarely on assets and allows clips to be skimmed, scrubbed, and marked up for editing. A new audio track design, improved meters, and a revamped Mixer panel make working with sound easier than ever. Refined user interface for even smoother workflows See more of your video and less clutter, thanks to a new, highly intuitive interface featuring customizable Project panel views, transport controls, Audio Meter panel, and track headers. Play clips directly in the Media Browser. Fluid, high-performance editing workflow Take advantage of the most requested editing enhancements, including over 50 new features to help editors switching NLEs move more comfortably to Adobe Premiere Pro. Dynamic timeline trimming Finesse your editing with precision using all-new advanced trimming tools. Trim clips your way — directly in the timeline via keyboard entry or dynamically in the Program Monitor using JKL shortcuts. Warp Stabilizer effect Easily stabilize a bumpy camera move or lock a shot automatically with the same powerful technology as in Adobe After Effects® software. The new GPU-accelerated Warp Stabilizer removes jitter and rolling shutter artifacts and other motion-related irregularities. Expanded multicam editing Quickly and easily edit multicam footage from as many cameras as you have on the shoot. Sync via timecode, switch between tracks in real time, and adjust color across multiple shots. More intuitive Three-Way Color Corrector Better manage the color in your projects with the more intuitive Three-Way Color Corrector for precise primary and secondary color correction. Instantly improve video image quality with Adobe Photoshop® style auto-correct functions. New adjustment layers Apply effects across multiple clips. Now you can create adjustment layers, similar to those in Photoshop and After Effects, to apply effects to clips on tracks below them. Easily create masks to adjust a selected area of a shot. Improved, customizable monitor panels Work the way you want and edit more fluidly. A less cluttered, customizable interface lets you focus on your media by letting you choose which buttons to show or hide in the monitor panels. Even faster Project panel workflows View, sort, and arrange media easier than ever with the redesigned Project panel. Edit faster with the ability to scrub and skim clips, set in and out points, and resize clip thumbnails. New camera support Work natively with the footage shot with the latest video cameras, including ARRI Alexa, Canon Cinema EOS C300, RED EPIC®, and RED Scarlet-X cameras. Native support lets you start editing immediately, without transcoding or rewrapping the footage. Enhanced, flexible audio tracks Freely combine and pan mono and stereo clips. For more advanced audio workflows, new Multichannel master and Adaptive track types enable total audio routing flexibility and easy export to multichannel file types. Adobe Prelude CS6 integration Use Adobe Prelude to efficiently log footage, add comments and markers, and create rough cuts that can be brought into Adobe Premiere Pro. Comments and markers are associated with the media, making it easy to organize. Adobe SpeedGrade CS6 integration Easily export your Adobe Premiere Pro sequences into SpeedGrade CS6 for a complete finishing solution. Easily handle grading tasks like matching shots and creating consistent nuanced color to visually enhance your projects. Uninterrupted playback Edit, apply filters, and adjust their parameters, all during playback. Dynamically preview video by looping playback and adjusting parameters on the fly, thanks to the Mercury Playback Engine. (May require a supported GPU.) New Preset Browser Access commonly used settings immediately using the new Preset Browser in Adobe Media Encoder CS6. Organize presets by category, set favorites, and customize your most frequently used encoding presets. Performance and stability improvements Encode video faster when outputting a single source to multiple outputs with Adobe Media Encoder CS6. Get a significant performance boost when using watch folders on a network. New RED EPIC and RED Scarlet-X support Take advantage of new support for RED EPIC 5K and RED Scarlet-X footage that lets you import it directly into Adobe Media Encoder CS6 for transcoding to HD and SD formats. More popular device and format presets Save time and encode content more easily by using Adobe Media Encoder presets that help ensure your video looks great on widely used output formats and devices, including mobile devices and HDTV. New 64-bit Adobe Encore CS6 Speed up your authoring workflow and get rock-solid performance and stability with Adobe Encore® CS6, now natively 64 bit. Open and save projects faster, and get dramatic performance working on demanding projects. Faster MPEG import Bring MPEG assets into Encore CS6 even faster as multiple import processes happen simultaneously in the background. Pixel aspect ratio correction in previews View the correct pixel aspect ratio when previewing DVD simulations, thanks to new pixel aspect ratio correction in Encore CS6. Enhanced DVD and Blu-Ray Disc authoring Get even more functionality when authoring DVDs and Blu-ray discs. New 64-bit Encore CS6 adds support for 8-bit color for highlight buttons and menu color quality enhancements and lifts the 99-slide restriction for Blu-ray slide shows. Enhanced web DVD authoring Create powerful web DVD experiences that replicate all the functionality of their Blu-ray Disc counterparts, thanks to new web DVD support for pop-up menus, multipage menus, and looping menu playback. Adobe Premiere Pro CS5.5.1 The Adobe Premiere Pro CS5 5.5.1 update fixes issues that were discovered when using Adobe Premiere Pro with Mac OS X 10.7 (Lion). The update also fixes an issue where XML project files created in Premiere Pro don’t work with DaVinci Resolve. • MAC: Fixed an issue in Mac OS X 10.7 where the Universal Counting Leader is missing countdown numbers (2861024) • MAC: Fixed an issue where Adobe Premiere Pro would crash upon quitting when running on Mac OS X 10.7 (2869192) • WINDOWS: Fixed an issue where the Preview was not functioning properly in the capture panel for HDV (2896386) • Fixed an issue where imported Final Cut Pro XML projects that contain multiple mono clips will lose some audio when project is closed and reopened (2917679) • Fixed an issue where exporting to DVCPRO HD 720p60 QuickTime does not complete with graphic, image or synthetic in the sequence (2860993) • Fixed an issue where a clip is repositioned when a CUDA Invert is applied to the clip (2866576) • Fixed a crash in Adobe Premiere Pro when viewing sequence clip in source monitor (2866571) • Improved scrubbing performance with Canon DSLR files (2866573) • Fixed an issue where Adobe Premiere Pro could not find files after changing location of project (2866577) • Fixed an issue where Adobe Premiere Pro would randomly crash on startup (2866580) • Fixed an issue After Effects comp with a background other than black would result in no alpha transparency when Mercury Playback GPU Acceleration was enabled (2870787) • Fixed an crash in Adobe Premiere Pro if you create a new sequence from After Effects, you had the sequence presets tab in focus and no sequence preset selected (2870792) • Fixed an issue where Adobe MXF files are not readable by Sony XDCAM HD Deck, Final Cut Pro nor Media Composer (2877895) • Fixed an issue where Adobe Premiere Pro’s commit size increases when closed captioning is enabled (2878142) • Fixed an import failure with ProRes files created by ATOMOS with 4 tracks of audio (2880056) • Fixed an issue where MCC files exported from MacCaption with a FrameRate set to 50 or 59.94 fails to display in Adobe Premiere Pro’s Program Monitor when attached to sequences that match their frame rate (2887232) • Fixed a display failure with NVIDIA driver 275.36 (2898573) • Fixed a problem with incorrect data written to XML files for AVCIntra exports (2900941) • Fixed an issue when a AVCIntra sequence with an adjust start times exports it has an unsupported string in the “StartTimeCode” tag in the XML (2900981) • Fixed an issue when the Mercury Playback Engine GPU Acceleration enabled, opacity effects are being ignored after second transition (2903503) • Fixed a hang or a crash in Adobe Premiere Pro when loading a merged clip with disabled audio channels (2910090) • Fixed an issue where media from Avid Unity QuickTime reference files are not imported (2919488) • Fixed an issue where XML project files created by Adobe Premiere Pro do not work with DaVinci’s Resolve (2919679) • Fixed an issue where image sequences lose their frame rates (2928776) • Fixed an issue where when adding a transition the edges of the clip are highlighted during the transition (2866575) Adobe Premiere Pro CS5.5 Edit faster with Adobe® Premiere® Pro CS5.5 software, which offers cross-platform, native file–based workflows as well as GPU-accelerated filters and effects with the enhanced Adobe Mercury Playback Engine — now on workstations and laptops. Flexible, precise, and reliable editing tools Flexible, precise, and reliable editing tools Edit the way you want with widely accepted, customizable NLE shortcuts and powerful, intuitive trimming and editing tools that give you more precision and control. Boost productivity with dual-system sound support and enhanced project exchange with Final Cut Pro and Avid software. Enhanced Mercury Playback Engine Get amazing performance from the Adobe Mercury Playback Engine on both desktops and laptops (Windows® and Mac OS). Natively 64 bit and optimized for modern CPUs, Mercury delivers astounding performance with or without GPU acceleration. More on performance › Fast, reliable multiscreen delivery Fast, reliable multiscreen delivery Output your work for computers, smartphones, tablets, and television with Adobe Media Encoder CS5.5. Use intuitive presets and contextual menus to set up sequences once for multiple formats, and batch encode while you keep editing. Roundtrip workflows with Adobe Audition Roundtrip workflows with Adobe Audition Get a fast, flexible roundtrip audio workflow with Adobe Audition® CS5.5 software. Pass individual audio clips and multitrack mixes or complete video sequences between Adobe Premiere Pro CS5.5 and Adobe Audition for editing and sweetening. Direct integration with Adobe Story Direct integration with Adobe Story Accelerate your editing workflow by directly importing Adobe Story scripts, complete with metadata, into Adobe Premiere Pro CS5.5. Eliminate hours of routine work using Speech Search and other metadata to quickly find footage. Closed-captioning support Closed-captioning support Play back and display 608 and 708 closed captions, synced to your video sequence and viewable in the Program Monitor. Enhanced Canon XF native support Enhanced Canon XF native support Preview Canon XF footage in the Media Browser panel and utilize camera metadata throughout your preproduction and post-production workflows. Spanned clips are displayed as a single asset in the Media Browser, reducing clutter. Streamlined collaboration Streamlined collaboration Collaborate more easily thanks to enhanced integration with Final Cut Pro and Avid Media Composer, and with Adobe CS Review, a separate CS Live online service1,2. Save time by background encoding files for CS Review using new presets in Adobe Media Encoder. Expanded RED support Expanded RED support Work natively with RED footage, with support for RED Rocket, Mysterium X™, and the latest Color Science and Firmware for RED ONE™ cameras. The Source Settings dialog box gives you full control over RED parameters and allows RMD files to be imported and exported. Native RED EPIC camera support Native RED EPIC camera support Edit up to 5K footage shot from RED EPIC™ cameras without transcoding or rewrapping, and access RED parameters directly from the enhanced Source Settings dialog box. The EPIC importer plug-in will be available soon as a download from Adobe Labs. Merge Clips Easily create subclips that match audio and video from separate sources. The Merge Clips feature supports dual-system sound by allowing high-quality audio to be synced with video shot on a separate device, such as a DSLR or RED camera. Easy presets for popular devices and formats Save time and encode content more easily by using Adobe Media Encoder CS5.5 presets that help ensure your video looks great on widely used output formats and devices, including mobile devices and HDTV. Drag-and-drop encoding Drag and drop sequences from Adobe Premiere Pro and compositions from After Effects® directly into Adobe Media Encoder CS5.5, which can then encode them immediately. This saves many steps compared with Adobe Media Encoder CS5. Enhanced watch folder workflow Set up Adobe Media Encoder CS5.5 to watch a folder. Automatically encode files arriving in the folder to a format you specify. Multiple watch folders can encode to different formats and to the same destination folder. Improved user interface and workflow Take advantage of a clearer user interface, new presets, and new contextual menus that improve your Adobe Media Encoder workflow. Expand Queue items to check formats, progress, and encoding settings. Monitor job status in the new Watch Folders section. Automatic still image sequencing Automatically encode still images as a video sequence. When you import a numbered series of still images into Adobe Media Encoder CS5.5, it intelligently recognizes them as stills and offers to encode them as one video sequence. Audible alerts when jobs are completed Hear alerts when Adobe Media Encoder finishes jobs in the background, so you can keep working without having to watch the queue. Different sounds indicate whether jobs have been completed successfully or with errors. Adobe Media Encoder CS Review presets Save time with new Adobe Media Encoder presets that are optimized for output to Adobe CS Review, a CS Live online service1,2. GPU-accelerated media processing Correct issues caused by mismatched media, media with varying types of alpha channels, and more with GPU-accelerated effects that compensate for differences in frame rate, field order, and pixel aspect ratio. Speed change effects Create high-quality slow motion or fast motion and play clips backwards using GPU-accelerated time remapping, speed change, and backwards effects. Interpret Footage Easily modify the properties of clips using GPU-accelerated effects that give you control over frame rate, aspect ratio, field order, alpha channels, and pulldown removal. Field options Eliminate unwanted interlacing artifacts with GPU-accelerated effects that give you control over field order, interlacing, deinterlacing, and flicker removal. GPU-accelerated transitions Transition between clips using Additive Dissolve to add the color information from clip B to clip A, and then subtract the color information of clip A from clip B. Get a film-like transition with Film Dissolve. Blur effects Quickly add blur to large areas of your clips using GPU-accelerated Fast Blur, create the illusion of motion using Directional Blur, and see the results in real time thanks to GPU acceleration. Adobe Premiere Pro CS5 5.0.3 Notable fixes The Adobe Premiere Pro CS5 5.0.3 update adds Mercury Playback Engine (MPE) support for the NVIDIA Quadro 5000m card (Windows) and the NVIDIA Quadro 4000 card (Mac). Additional fixes • Custom effect UI performance enhancements. • Improved performance when switching between Adobe Premiere Pro and other applications. • Fixed issue where custom action safe guides shift position during direct manipulation. • Fixed issue where double clicking a title opens the Source Monitor panel instead of the Titler panel when the Project panel is in Icon view. • Fixed issue where importer XDCAM HD does not support Nexio 4:2:0 MXF files. • Fixed issue where shared network media gets re-indexed by every system that accesses the media. • Fixed issue where UI becomes non-responsive when loading projects that require MPEG indexing. • Made improvements to stability of Capture on Windows. • Fixed issue with Mercury Playback Engine using GPU acceleration where dissolves were not behaving correctly when opacity keyframes are present. • Fixed issue with Mercury Playback Engine using GPU acceleration where the Crop effect renders incorrectly when media is scaled to frame size. • Fixed issue where preview rendering gets stuck in a loop state. • Fixed issue where canceling an export sample does not cancel the render and could cause other export problems. • Fixed an issue where audio is not exported via SDI when using Export to Tape. • Fixed issue where master clips imported into projects using Final Cut Pro XML import are stripped of their unique identifiers. • Fixed issue where editing is sluggish in long sequences containing transitions. • Fixed issue where ProRes files or animation MOVs are unusable when the Cineform MOV importer is installed. Adobe Premiere Pro CS5 5.0.2 Notable fixes • The Adobe Premiere Pro CS5 5.0.2update adds Windows-based Mercury Playback Engine (MPE) support for new NVIDIA cards (GTX 470, Quadro 4000, Quadro 5000). • The RED importer is now compatible with current RED firmware (build 30, v30.5.0), Mysterium X, and the most recent Color Science. • Support for import and export of RED RMD files to and from REDCINE-X software. • Support for XD-CAM HD export. • Support for QuickTime files from JVC solid-state cameras. • Support for source timecode in XDCAM 4:2:2 footage. • Support for RED Rocket cards. • Support for Broadcast Wave audio file format. • Support for Broadcast Wave in OMF export. • 10-bit DisplayPort support for NVIDIA Quadro cards (Windows only). Adobe Premiere Pro CS5 5.0.1 Notable fixes • The Adobe Premiere Pro CS5 5.0.1 update allows the Mercury Playback Engine to support additional layers on the NVIDIA GeForce GTX 285 GPU card. What's new in Adobe Premiere Pro CS5 Trial download available NOW! Adobe® Premiere® Pro CS5 software improves every part of the video production process thanks to the revolutionary 64-bit, GPU-accelerated Adobe Mercury Playback Engine, a highly efficient script-to-screen workflow, and native support for the latest tapeless camera formats that lets you begin editing without delay. PlayIndustry-leading performance with the new Mercury Engine Industry-leading performance with the new Mercury Playback Engine [an error occurred while processing this directive] Work dramatically faster thanks to the revolutionary native 64-bit, GPU-accelerated Mercury Playback Engine. Open projects faster, scrub through HD and higher-resolution footage more fluidly, and play back complex long-format and effects-heavy projects more reliably. Play Expanded native tapeless workflows [an error occurred while processing this directive] Edit video natively in the latest tapeless formats, including RED, AVCCAM, XDCAM HD 50, DPX, P2, XDCAM, and DSLR cameras, without transcoding or rewrapping. Do more with tapeless workflows PlayOpen workflows with Final Cut Pro and Avid Media Composer Open workflows with Final Cut Pro and Avid software [an error occurred while processing this directive] Bring the creative benefits of Adobe tools to your entire project by importing and exporting projects from these other NLEs. Do more with open workflows PlayScript-to-screen workflows Script-to-screen workflow [an error occurred while processing this directive] Collaborate on scripts, automatically extract shot lists, and generate metadata-rich assets that speed up editing. Do more with script-to-screen workflows PlayTapeless camera support in Adobe OnLocation CS5 Tapeless camera support in Adobe OnLocation CS5 [an error occurred while processing this directive] Use the powerful logging options in Adobe OnLocation™ when working with tapeless cameras. See all Adobe OnLocation CS5 features Close lookNative support for DSLR cameras Native support for DSLR cameras [an error occurred while processing this directive] Edit native video from the latest DSLR cameras without transcoding or rewrapping. Close lookStreamlined encoding with revamped Adobe Media Encoder Streamlined encoding with revamped Adobe Media Encoder [an error occurred while processing this directive] Produce content in virtually any format, including DPX, FLV, F4V, H.264, MPEG-2, QT, WM, and more. Client reviews made simple Client reviews made simple [an error occurred while processing this directive] Gather feedback more efficiently by sharing work in progress with Adobe CS Review, a new Adobe CS Live online service.* CS Live services are complimentary for a limited time. (Integration with CS Review will not be available for Adobe Premiere Pro CS5 when the software initially ships. Integration capability is expected to be available for Adobe Premiere Pro users later in 2010.) See more features Eliminate intermediate rendering Eliminate intermediate rendering Use Adobe Dynamic Link for tighter-than-ever integration and faster project workflows. Share content between Adobe After Effects®, Adobe Premiere Pro, and Soundbooth®, and see changes made in one component reflected immediately in the other, without rendering. Do more with Creative Suite® Production Premium PlayFaster editing with metadata Faster editing with metadata [an error occurred while processing this directive] Gain greater efficiency with powerful new metadata features. Detect faces and turn spoken dialogue into searchable text faster and more accurately. Timesaving improvements Dozens of timesaving improvements [an error occurred while processing this directive] Boost productivity with workflow features and enhancements suggested by users like you. For example, use automatic scene detection to create separate clips from HDV tapes, import assets from DVDs, use new keyboard shortcuts, control keyframes with even more precision, and clean up sequences quickly with new commands for finding and removing gaps. Ultra keyer Ultra keyer [an error occurred while processing this directive] Experience breakthrough performance and achieve fast, accurate chroma keying — even on challenging HD footage — with the Ultra® keyer. PlaySearchable web-DVDs with Adobe Encore CS5 Searchable web DVDs with Adobe Encore CS5 [an error occurred while processing this directive] Deliver interactive DVD experiences over the web, complete with chapter menus and search capabilities. See all Adobe Encore® CS5 features Welcome to Adobe® Premiere Pro® CS4, version 4.2.1. Notable fixes •Fixed memory issue that occurred when importing large numbers of AVC-Intra files into Adobe Premiere Pro Known issues •Use of Project Manager is not recommended for AVC-I since clip spanning is lost during project collect and copy •Clip duration in media browser does not match duration of clip once it is imported •AVC-I clips are redbar in native sequences Welcome to Adobe® Premiere Pro® CS4, version 4.2.0. New in this release • Panasonic P2 AVC-Intra material is now supported; new sequence presets are also included for editing this format. Notable fixes • Final Cut Pro Project Converter is now compatible with Final Cut Pro version 7 • Final Cut Pro Project Converter now maintains timecodes from the originally captured sources from Final Cut Pro • Playback no longer stops when connecting/disconnecting a USB keyboard or mouse • Performance is no longer diminished in mixed format sequences during playback,scrubbing, and exporting • Third-party support Welcome to Adobe® Premiere Pro® CS4, version 4.1.0. New in this release * Additional support for REDCODE (please visit RED support for additional details). * Performance improvements to project load time. * Improvements to AVCHD support. * Performance enhancements for DV/HDV playback. * Supportfor Avid captured DV orIMXfootage.(Please see www.adobe.com/go/kb409079for additional information). * Export media to a still format now bypasses the AME render queue. * Enabled .VOB extension support. * Third-party support Notable fixes * All clips in last active sequence are no longer redbar when reopening project (#2278647) * Boris FX can get the clip dimensions for their filter setup dialog (#2274629) * CTRL+M is now the default shortcut for File->Export->Media (#2277908) * Abugthatcausedgreenframesinclipswith100%reversespeedappliedhasbeenfixed. (#2263918) * The last few frames of a time remapped clip are no longer rendered green (#2278907) * Adobe Premiere Pro can now open projects created in Adobe Premiere Elements 7. (#2267281) * ’Scale to Framesize’ on a clip in a sequence of matching frame size and PAR no longer causes the timeline to require rendering. (#2278908) * A bug that caused corruption in exported TIFF files has been fixed. (#252497) * Severalissues with Adobe After Effects Filters and Track Mattes have beenfixed. (#1882807, #1876369) * Performance improvements have been made to Direct Manipulation (#2260316) * AVCHD 720p 30p are now imported correctly. (#2269541) * RelinkingXDCAMEXclipsthathavebeen movedtoanewdirectoryisnow moreintuitive. (#2272122) * Abugthatcausedfieldstobereversedwhenrenderingspeedchangeonupperfieldfirst footage has been fixed. (#2260314) * A user can now copy and paste R3D footage from Adobe After Effects to Adobe Premiere Pro. (#1931580) * Several issues with effects that use track inputs, when the input track is a still have been fixed. (#2263816) * Playback performance of ProRes clips has been improved. (#2261047) * Playback performance of h.264 clips has been improved. (#1824690) * XDCAM EX clips no longer play one only audio track in the Source panel (#1929452) * Aplaybackissue with PanasonicAG-HMC150recordedprogressive AVCHDclipsnolonger causes application freeze (#2268148) * Blackmagic can now display titler output on external monitor (#2286733) * If a mapped driveis defined asthe userfolderfor aroaming profile, Adobe Premiere Prono longer crashes when attempting to write to the drive (#2291950) nown issues * Progressive 720 Sony AVCHD media files show an interlaced frame rate in Media Browser and Metadata panel. * AVCHD 1080p 30 and 25 progressive clips are interpreted as interlaced files in Adobe Premiere Pro CS4 projects. * If the work area end position is greater than the last frame of the last clip in sequence, then entire sequence is exported instead of work area. * Setting sequence-marks stops playback if the multi-camera monitor is open. * When importing QuickTime clips in AME’s batch queue for export, certain types of metadata (such as timecode) will not be propagated to newly generated clips.. 4.0.1 New in this release * OMF export * Final Cut Pro import * Edit in Audition (Windows only) * Surcode support * AAF import and export * High quality motion * Third-party support Notable fixes * Attempting to trim locked tracks results in a crash (#1888355) * Crash on Win and error on Mac when using Numpad-Asterisk keys to generate marker when playing in Program Pane when Effect Controls pane is closed (#1890626) * Crash when the Metadata panel is brought into focus when a DVCPro HD clip is selected (#1884633) * When a filter/search is applied in the Metadata Panel and then a different asset is selected, the filter does not update (#1876954) * Custom schema causes Adobe Premiere Pro to crash performing many basic operations, starting with New Project (#1888938) * Render of transition in imported EDL-based sequence fails; on Mac, causes application to hang indefinitely, user must be force-quit application (#1873434) * After ASND is saved, an effect is always ON if it turns OFF while playing (#1864978) * Crash when attempting to load a project that contains a composition if headless Adobe Premiere Pro is serving Adobe After Effects (#1871578) * Exporting video as MPEG 4 will create a video file that imports at the incorrect length (#1851063) * Trimming both ends of a clip, then moving the clip will cause looped playback to be silent, or only playback portions of the clip (#1868409) * When exporting a timeline containing cuepoints, deleting a cue point via AME Batch-> Export Settings, the cue point is still present in the output file (#1866690) * Playing an audio-only file in the source monitor will cause the application to lock up (#1887330) What's new in Adobe Premiere Pro 2.0 Learn about multicam editing, DVD authoring, and innovative review features in the all-new version of Adobe Premiere Pro 2.0. http://www.adobe.com/products/premiere/newfeatures.html Adobe Premiere Pro 1.5.1 update (2/28/2005) Bringing HDV editing to the desktop, the Adobe® Premiere® Pro HDV format extension adds the ability to edit in high-definition video when working with the HDV cameras from Sony or JVC. HDV uses the same IEEE-1394 (FireWire) connector as is used for digital video. Adobe Premiere Pro 1.5 with the HDV update provides control of the HDV devices, video capture, and output of high-definition video via the IEEE-1394 connector similar to the native control already enjoyed for digital video editing. This makes high-definition video editing affordable and accessible to anyone. v1.5 Project management tools Quickly remove unused material from your project and consolidate the project's media into one location for easy archiving with the Project Manager. Panasonic 24P/24PA support Capture the look of film with support for new Panasonic 24P/24PA format cameras. Bézier keyframe controls Create more natural, elegant-looking effects using sophisticated, spline-based Bézier keyframe controls. Effects favorites Set your effect parameters for a keyframe, and then save them as presets you can apply anytime to ensure consistency from one project to another. Support for HD content Meet the highest production standards with support for importing, editing, and delivering HD content. Auto-color adjustment Automatically improve image quality using Adobe Photoshop® style filters, including Auto Levels, Auto Color, Auto Contrast, and Shadows/Highlights. Project-ready Photoshop files Quickly create a new image in Photoshop with the resolution and pixel aspect ratio of your current Adobe Premiere Pro project (some features require Photoshop CS). After Effects plug-in compatibility Access the plug-ins from your installed version of After Effects directly within Adobe Premiere Pro for even more visual effects. After Effects clipboard support Simply copy and paste between Adobe Premiere Pro and After Effects. AAF and EDL support Easily import and export project data with support for Advanced Authoring Format (AAF) and Edit Decision List (EDL) format. All new features: http://www.adobe.com/products/premiere/pdfs/premiere_nfhs.pdf
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I have used many different video editors even the ones on the mac aka crapple. Out of all the editors I have used Adobe Premiere Pro is by far the best. Sony VEGAS is not even close. I have been with premiere since version 5. This tool is very easy to use I work for the Assemblies of God and during their summer camps we have to put together 10-15 minute videos EACH DAY. Our whole team uses Adobe Premiere Pro 7 except for one who uses a mac (yuck). Oh yea in reply to "Fernando Assis" The Red screen with all the words on it is what adobe inserts when it cant find your file because YOU moved it and YOU didnt FIND it when it asked you to (when you opened the program) This is YOUR fault not adobes.
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I've read a lot about Premiere Pro crashing on various people, and while I don't doubt their experiences, I've been a happy Premiere user for a couple of years now and my computer has crashed not one time due to Premiere. I've never even had the program lock up on me, and my system is definitely not a perfectly smooth build. I don't know how "easy" it is to learn for others, but being I'm already pretty fluent in Photoshop, it took me about half an hour to figure out most of the basics in Premiere, and was happily editing complex shots after a few hours work. Frankly I love the program and am very, very satisfied with both ease of use and great results.
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Sorry, can't rate it high as can't even attempt to try the trial. Fails to recognise my capture device and fails to import mpeg 2 files, so renders this software completely useless to me. Disappointed.
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I can safely say this is a great application. I have worked with Pinnacle Liquid, Avid Xpress, Avid Media Composer. While some features look more professional on these applications, nothing beats adobe when it comes to ease of use. It operates just like any other windows based application. With the HD support, and Major Matrox RTX100 integration, Premiere Pro is one powerful tool. There's nothing u cant do on it. Add a little of After Effects Skills, anf u got urself a kick ass workstation and unlimited creativity. VERVE
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Hello, Don't understand all these negative experiences. First I learned how to use with the help of "Premiere Pro 1.5 Studio Techniques" of Jacob Rosenberg of the Adobe Press Then I used it and had no problem at all. It's a great tool. Athos Toxo_Q
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I found this program long winded to use. Too many pulldown windows and field functions. Then when I was beginning to get the hang of it, I found it crashed. Steep learning curve to say the least. Adobe expects you to just learn this, like photoshop, learn it in their time. I prefer to work more in real time and fast when it comes to video. I switched to Vegas 5, and found that more intuitive and a much more stable software, and a more visual graphic based interface. So it comes down to what you are already into. If you are shopping for a NLE software and have not already jumped through Adobe hoops, go with Vegas and you will be glad. If you are already deep in Adobe, you might just want to stay there.
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I think you're full of crap. APP is the best program I've ever used. I'll do myself a favor and continue to use it!
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The original version of Premiere Pro (1.0, also known as Premiere 7) was probably the buggiest piece of software ever released. Not even Microsoft would have let that thing out the door. After about a year of using its customers as beta-testers, Adobe finally decided to release a bug fix they called Premiere Pro 1.5. This (paid, and quite expensive) update fixed only half of the original bugs and added a lot of new ones. One year later, there have been no more patches, and no word on when (or if) they can be expected. Do yourself a favor and use Media Studio, Xpress DV or Vegas instead. Or get a Mac and use FCP.
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Premiere Pro 1.5 is probably the best video editing tool I've ever used. It supports just about any type of file you can imagine and do just about anything you want to the video. By far it has the best DVD quality for exporting the video, but does a horrible job at MPEG-4 compression. VirtualDub does the best job for that and it’s free. But if you want to be making DVD’s or just DVD quality videos Premiere Pro 1.5 is the best there when it comes to that. All the other things you can do with it just add to its ever powerful functionality what with doing anything you want to both the audio and video. Also the timeline window works perfect, you can be zooming in and out and move all over the place while the video is still playing to get those perfectionate touches in. Best video editing tool on the market.
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Well, APP doesn't have the best encoder. To avoid this, use DebugMode's Frameserver to frameserve from APP to TMPGEnc.
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I find this tool excellent to use in conjunction with Encore. It has some great options and I have edited some good videos. I mainly use this to capture, edit and produce DVD's from my home DV footage. My main complaint on this software is the quality of the MPEG output, I have issues with the sound not syncing up and I find the outputed AVI file is better when it goes through TMPGenc to become MPEG than through Encore or Premier which surprises me considering the price difference. Other than that a good tool.
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Incredible! I've been using Premiere since version 5 and I can't think of enough good things to say about this new release. Not only does it make my job easier it also helps save time and space on my hard drive. Scene Detect breaks up my clips for easy use. I can see the results of an effect without rendering and I can balance the audio within the software itself. This is a wonderful program. I won't deny that people may have issues with this software but I believe that it may be a PEBKAC issue (Problem exists between keyboard and chair). I have this running on 4 different systems and not a fault on any of them.
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I dont see any issues with this program. For cut copy paste editing it works perfect. The effects are all great and they all have many parameters to manipulate. Some say Vegas is faster but I dont have a second hand on my watch so I could care less to compare. Premiere Pro can now import AFX plugins so if you have many of those like I do stick with Premiere Pro instead of Vegas.
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Unfortanately, since Microsoft invented the way of selling a defective product for you to buy and go find some possible solutions afterwards, the marketingof both software and hardware became still more full of absurds (all of them against consumers, not the other way around, because the price is a very precise aritmetic value usually cleverly adjusted in XX9.99 that you must pay with perfection or you don't take the product home). We have 'Adobe Prermiere Pro v7.0' among the "best" and most proeminent three Video editors in the world. It is brand new and is to be used only in XP. Thinking with coerence Would you expect to find any absurds in using this program? (Of course not... if you're dreaming and did not wake up in themorning yet). I'll mention only two of several absurds about this program: 1) You open Premiere Pro, set your project and load the files you want, and start to work hard and expend a lot of time, as usual in serious video editing. Everything seemed be running as usual, but When you go play your footage outside the program what you see is just a still red background screen, no sound, writen "media offline" in several languages. Yes, it happens sometimes. Already imersed in a deep stress you stop your life and expend extra hours trying to find what the hell is that, once you are very sure you don't have any virus or any other malfunction in your so cared and so attended system. Frankly, this is a true ABSURD, this is kidding, not to say other things it is... 2) You worked a lot and will save your DVD footage with AC3 compression..., that's the time to be warned -- by a pop up window inside the program -- that you have the right of saving AC3 only three times unless you go buy the codec (an agreement between Adobe and the other company selling the codec). In other words, they come to make of your computer a fine marketing place. Adobe lost the sense with your customers even in the professional healm. This is not only an ABSURD, but also a SHAME and other things we cannot express in words. Finally, what about an example of robbery in the hardware offerts? Take a look in the site of TV capture cards, for example, and see what they promise for their product. Once using the product you must be armed with so many time and so much efforts to try counteract all that dishonesty that you will find yourself in a true research in order to get at least the capture sector working badly. Of course you shouldn't buy those shit if you are serious but there is a lot of people who are serious and honest but don't have enough money to help make happy all those gentleman. Cheers, Fernando Assis.
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I have been using the Premiere Pro 1.5 upgrade for about a week now. It has a few new features, but really nothing to write home about. But the upgrade is pretty inexpensive and the product is solid, so I can't complain too much. Be advised, like Microsoft, Adobe is now using Online Activation to make sure that you don't install its software on more than one computer. If you make major changes to your PC's hardware or want to install the product on a different PC, you will have to call Adobe and get a manual activation code.
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